Questions of faith help to shape the knight's journey, as he encounters various priests and questions their dedication to their calling. One priest is so moved by the knight's mission that, finding the knight lying ravaged by a terrible disease, he decides to absorb the illness himself. He lies face down on the sand in a crucified posture, at which point the knight's sores are suddenly healed. These same lesions cover the priest when, moments later, he arises.
Mr. Majewski demonstrates considerable flair for this sort of imagery, and his film retains its spare, arresting visual style throughout. Though the mysticism of the material takes precedence over its politics, the film's central metaphor has clear pro-Solidarity implications. Mr. Majewski has since left Poland and is now making a film in English, which on the evidence of "The Knight", is well worth anticipating.